Showing posts with label OUGD406. Show all posts
Showing posts with label OUGD406. Show all posts

OUGD406 MODULE SELF-EVALUATION

Name: Abbas Mushtaq

Blog address: http://www.a-mushtaq1114.blogspot.co.uk/


What skills have you developed through this module and how effectively do you think you have applied them?
I think I've developed skills in collaborating with others and time management. In the 'communication is a virus' brief, we worked in a group, we set ourselves quite an ambitious social media project and I think we pulled it off fairly well. Assigning tasks, good communication and time management was needed so we all knew what we were doing, where and when. I think we worked pretty well as a group after a slightly disorganised first week and came together in the end. Comparing it to previous group projects, I think I worked more productively in a group now than I did then, which is a positive for me.

I think I've also developed skills in manipulating type and focusing on the core aspects of graphic design to convey a message. For the 'It's your choice' brief, I focused on frame, format and type, and didn't use any image and illustration to communicate the message. It was difficult at first but definitely a learning experience.


What approaches to/methods of design production have you developed and how have they informed your design development process?
The Erik Kessels brief was a really enjoyable brief for me. This was one of the first briefs where I felt I had put my own stamp on my work and worked in a style that I was interested in and felt I could do justice. I also went to a more traditional approach and used the photocopier extensively, one of my posters is simply a scanned photocopy, with no digital type and very little digital editing software input. I think it created an interesting effect and made me realise a little more that the computer isn't the be all and end all of graphic design, it's merely a tool.

For the 'stamp it' brief I watched a few movies to inform me better on the environmental subject and being 'green', how global warming is effecting the world and so on. I decided to take advantage of the librarys DVD library and I felt it informed my final work and research greatly. In particular 'An Inconvenient Truth' actually led to my concept of inconvenient truths which I developed. The concept was to create stamps communicating an almost satirical look at the future and the idea of brushing things off


3. What strengths can you identify in your work and how have/will you capitalise on these?
I think my work is starting to look a little more polished and I think my work is slowly starting to reflect my own personal interests and strengths more than in previous modules, in particular the 'It's Your Choice' brief which I wouldn't change too much about as it stands.

My design sheets are getting a little better, this has been a recurring issue of mine, I think i've addressed it slightly but not enough. Overall, I think they've definitely generally improved from previous modules.

I think handling type is one of the strengths of this module, I think i've handled and manipulated it well in my 'It's Your Choice' set of posters, using type as image in a way. I think I'm becoming stronger and pushing smaller details, instead of creating loads of little details, I push smaller details creatively. I've found that small details and adjustments can make a huge difference. My work has been quite idea-led, which I think has become a strength of mine.

4. What weaknesses can you identify in your and work and how will you address these in the future?
One that came to mind straightaway is that I think generally and in this module in particular, my work is inconsistent in terms of quality and finish and it's an issue I want to address as it's not ideal. I think some briefs have been handled stronger than others. My 'stamp it' brief is one of the weaker set of products in my opinion, in terms of communicating the message and the overall finish of the first day cover packaging.

I think I still need to improve when it comes to the context of the design and how people other than me will react to it, sometimes when it comes to the tail-end of the development process I kind of get excited and forget to consider small details that could just add an extra level of finish to the product, like extra packaging, accompanying material etc. I think i still think very 2D, in the sense that I visualise my work to be a flat piece of design, rather than considering packaging and other design.


5. Identify 5 things that you will do differently next time and what do you expect to gain from these?


I will manage my time more effectively in terms of the design process so I give an ideal amont of time to researching the concept, design development and leave myself enough time to evaluate my finished products and how I can improve upon them in time for final crits. This extra cushion of time will allow me to take a step back and analyse my work, rather than analyse it when it's a little too late and i'm busy with new briefs, making it more difficult to revisit the project.

I'll consider the audience and context of the work more, thinking about how they'll interact with it. What purpose it has, is the concept solid, is the message clear etc. It's been a little inconsistent so far and I want to iron this issue out. I think sometimes I do work I class as strong and work which gets a positive reaction, and some which kind of falls flat. There's no middle ground. Considering my work more carefully will add another piece to the jigsaw and help my work become more professional and viable in the real world.

I'll stop working digitally so much, a lot of my work is begging to be screenprinted but kind of stupidly sometimes I make my work look screenprinted...instead of screenprinting it for real?! Looking back, it's a bit silly and I should just screenprint it for real. This has been a recurring issue aswell and one I've failed to address so far, which is disappointing on my behalf. Working less digitally will give my work a different finish and more variety, people notice small details such as handprinted work, laser cut etc.

I'll research more deeply into subjects and topics rather than just researching for visual inspiration. I think I'm guilty of this with the 'communication is a virus' brief, I only researched into business cards, brand identities etc. Looking back on it, I could have researched into social media, whether people use social media, what they think of it, do they use it and so on, so many underlying issues I could have looked at but didn't. In doing so, it would only add to my knowledge on the topic and give me a wider view of the area we were headed towards with our twitter page and project.

I'll spend more time drawing, I drew more than usual for my It's Your Choice brief, the ideas you get down on paper tend to be more kind of organic and creative, especially when you keep on forcing yourself to keep drawing. Once the obvious ideas are out of the way, everything just syncs together and you tend to get more creative ideas down on paper. I  think it worked wel for me as I think it's my strongest project in terms of deliverables in this module.








DESIGN SHEETS

It's Your Choice - Presentation Boards







It's Your Choice - Printed and finished


Nobody's Perfect



Read Between The Lines

On A Knife Edge

There Are Two Sides To Every Story

Collective 5 questions - OUGD406 Final Crit (8/5/12)


Does the blog make sense, is it documented adequately?

Are the outcomes visually strong?

Does the work make sense? Does it have a purpose and relate back to context and content?

Is all the work labelled correctly and easy to find on the blog?

Is there enough information there? Is it thorough or maybe too much and confusing?

Any area for improvement?


Finished alterations to Nobody's Perfect

Added a black rectangle underneath the text, to basically negative print it onto stock, so the black will form the letterforms I think it will give an interesting effect. Would have loved to screenprint this but for the crit I want a finished poster to a certain standard so if I want to screenprint I can at a later date, but if I don't have time, I still have a deliverable i'm happy to submit.

I've also manipulated the type, so it's not all in perfect straight lines, adds a bit of imbalance to the poster which I like, like an imbalanced tower, and also adds to the imperfect feeling I want to give to the poster. Along with the border which I've deliberately made quite jagged and uneven.


^what will be sent to print



Slightly changed the colour of the black while fine-tuning it, I've gone for a more brown/dark red tint, I think it complements the yellow well


How it should pretty much look when printed on the stock I've got in mind. Definitely prefer it to before, has a little bit more about it.

On A Knife Edge of Hope and Despair

Printed and cut, I don't think the cut up border really adds too much to it, but I don't think it takes anything away from it either and adds a nice change from the usual. Overall, reasonably pleased with it. If I had more time before the final crit, I would have loved to screenprint the negative, as in the red background, onto white stock and see how it looks.




Nobody's Perfect


Pretty happy with the Nobody's Perfect proverb poster. I used the concept of numerous studies into type and wordplay which have found that if the first and last letter of the word stay familiar, the letters in between can be in any random order, but our brain still allows us to read it as we should. When we read we don't actually read each letter, we sort of just scan through.

The concept for this is even though each "nobody's perfect" is incorrect,or has flaws, and is imperfect. They're still perfectly fine, readable and of service. A metaphor for people. 

At the end I added "nobody's perfect" in perfect spelling, just because I think it further reinforces the point, the viewer reads through all the headings and thinks, how am I reading this? And at the end, they should hopefully get the message from it with the last heading.

Read Between The Lines

Here's the Read Between The Lines proverb poster I've been working on, I want to make it extremely subtle, up close you can't tell so much but at a distance you can read it. It's so the person really does have to concentrate in between the lines to read the message. Also as a poster it would work hung up on walls, as it's read fairly easily at a distance. Pretty happy with this!








You can see how it works here at a close up. I have two layers of lines with the type sandwiched in between.

The bottom layer has a tiny bit more of a stroke pt. size, allowing the line thickness to appear to shape the letterforms, which at a distance...





... your eyes can read.





Finished poster ...

at a distance ^^


Closer up

Two Sides - Finished

Here is the final poster I've decided on for 'There are two sides to every story'


Tried to go for a symmetrical and centred approach like the previous version, I decided to create central column of letters, that are all fortunately symmetrical, such as T, O, Y etc so I think it works well.

Alternative ideas - Two Sides













Still something missing from these I think, not quite sure what

On A Knife Edge...

Here's my 2nd proverb poster I worked on. In the end I chose "of hope and despair" on the end as I thought it just sounded meaningfull and I think it's a pretty eloquent quote. Where I saw this quote was on BBC Sound of 2010 interview of Manchester band, Hurts


"How are you doing? Not too bad. For a while you think that's not very interesting," Theo says. "But it can be very interesting because it's on a knife-edge of hope and despair."


http://news.bbc.co.uk/1/hi/entertainment/8439832.stm