Showing posts with label OUGD503. Show all posts
Showing posts with label OUGD503. Show all posts

RESPONSIVE :: FINAL BOARDS / REPORT / BRIEFS & EVALUATIONS


This post contains digital versions of boards for all briefs, individual practice and collaborative practice briefs along with the project report. For ease of use, the 10 live briefs carried outside of college are in a separate PDF document to the Individual and collaborative practice PDF's's.

Full brief sheets for all briefs carried out are at the end of this post in a separate PDF presentation.



_10 Live Briefs 






_Individual Practice (Ted Baker London_D&AD)





_Collaborative Practice (BBC Online_D&AD)







_Project Report








_Brief Outlines







__Module Self-Evaluation



Open publication - Free publishing - More graphics




__Module Summative Evaluation




The Shining: Published!

My poster for The Shining recently made it into the annual publication by Alternative Movie Posters, a pretty big fan-art website for movie posters with some great work showcased, so it's cool to be in the mix as well. The book is for sale now but they sent it me for free which was nice of them.

It's all come from contacting them and saying check this poster out I've done, would be cool if you showcased it on your website and its gone from there - they now even sell it with my permission for which I receive royalties. The reason I'm posting this is because I feel it's a step in the right direction in a medium of design I really enjoy and also importantly I'm starting to make (small amount for now) money from it! Great news, onwards and upwards.






Jessie Ware_Secret 7" - Great news!


Seems someone bought my design which is great as I'm chuffed someone wanted to pay to buy my record sleeve! but also more importantly because it has all gone towards a great cause






Photo credit: Secret7"


Responsive: Project Report

I've presented a breakdown and report on all my responsive briefs through a digital PDF which you can read through here. I'm also excited to print and perfect bind this and maybe a few adjustments on the cover. I feel it'll be much better to flick through and read in print. Check it out below:






For each brief I've wrote a brief description of what the core aim of the brief was, struggles I had, what worked, what didn't and what I took from it moving forward.



Briefs covered

Santa Sangre

Culture Fest

Nas_Radio City Hall

Robocop x Total Recall

The Shining

TRON_Little White Lies

HAIM_Secret 7”

Jessie Ware_Secret 7”

The Dieline Awards_
Heinz 69

The Rowes Group

D&AD_Ted Baker

D&AD_BBC Online





ROWES: Branding Images / Finished



I had a bit of a shocker yesterday when it came to printing and completing in time for photography. The main thing I learnt is to not underestimate how long and fiddly it can be to print sometimes and to account for software and hardware issues such as a printer not wanting to help. In the end I couldn't get everything I wanted to print and to the quality I wanted it printed and crafted. I allotted myself Monday to do it, if I didn't manage it then I'd mock up it up digitally. So that's what I've done as I need to draw a line under these set of briefs so I can work on the project report.


I've tried to create the feeling of gold foiling on the logo too, which I feel does a suitable job to illustrate how it would be when printed and foiled for real.































































Overall I'm pretty happy with how these mock ups turned out. I wish I could print foil everything for real and I will, but just for my own enjoyment as it won't be in time for me to produce the project report which I plan on starting to work on Wednesday, so I'll hopefully do an update on how everything looks when printed in real life at a later date.

Culture Fest: Pushing it further



I've decided that although my deliverable for the Culture Fest fulfilled what the client was after, basically a poster to promote the event I feel looking back on it, for my own purposes and to create a more well developed project I decided to expand on this a little bit more and create products for distribution.


The product range to be made is:

Culture Fest wall poster _ A2 size
Culture Fest invitation poster _ A4 size
Mail-out envelope
Culture Fest Customer Ticket


///////////////////////////////////////////




A4 size poster, ticket, envelope holding the invite and closed folder



Envelope+invite and opened folder









Close ups:












Rowes: Invoice and Envelope

Invoice is completed and I'm ready to print off all material and photograph, hopefully on Monday.

The white logo signifies gold foiling which I hope to carry out across relevant branding material such as the folder, letterhead, invoice, business cards etc.






Quick mock-up of how it should look when printed on marble stock, the black logo will hopefully be gold foil for a more luxurious touch.




Envelope measurements: DL Format _ 110 × 220mm. I've used DL format as it's designed to perfectly fit A4 in 1/3's.


White logo signifies gold foiling, black stock will be used for envelope and folder

ROWES - Branding Material

I want to focus more on the branding for this project and want the visual design to be serious, masculine and understated as the brief asks so I've gone for a simple logo which works in one colour, which as my research has shown is rare for logos out there - the two/three colour logos look tacky and don't suit the topic in hand.

ROWES want to be classy. So I've gone for monotone and a serif typeface with Minion Pro, rather than sans-serif.


I've tried to be a bit more conceptual and subtle but to also make the logo inviting and classy through simple methods which are kind of subconscious.


This is the final logo:


There's a border around the logo to create a contemporary and classy feel and to also give the logo a sense of security and longevity. I want the logo to have some kind of focal point or forward thinking invitation, so I've tilted the axis of the O forward, to create a more forward thinking company and what I hope is an understated focal point. I feel it looks a little more inviting than a normal O in this context.



Often with insurance or finance group companies you see pillars, to give permanence and security to the product, as you can see here:







I came across some marble stock and felt it was well suited for this project, most pillars and solid objects are made out of marble, it has a heavy weight and longevity to it - giving the branding a marble effect adds luxury and longevity to the brand so I am going to apply this marble stock throughout all branding material.



Here are some early mock-ups using the marble stock, apologies for the rubbish and inconsistent photos










It has a mint green essence to it so the colour scheme will be black, mint green or the use of the stock when suitable. Along with one special, I plan on foiling the logo and individual aspects especially for mail-out material which needs to be classy and give off a great first impression.


Here is artwork for other material I've been working on. Right now the white areas are areas where I want the marble stock to show through when going to print.




__Letterhead

The border is a consistent 15pt stroke around all material on which it's applied on, I've been careful to keep a strict margin around all the letter and used a strict grid throughout, with the Kindest Regards area actually adjacent to the signature within a column, rather than above like on other letters you receive, which is a little different and interesting. Logo to be gold foiled hopefully.







_Business cards

ROWES want to put across their longevity and long-standing stature in the business, so I've been a bit cheeky and put Multi-Billion dollar on the back of the business card to add some credentials, this is also what they refer to themselves as when relaying the brief.


Front:





Back:

You can't see it here but the border on this is inverted from the front, the border will be the marble stock showing through against the black






_Folder

For holding important material when going to meetings or to give important information in to clients, also has little notches which hold business cards for the company or for individual members of staff.






_Notepad

Notepad for ROWES employees and members to make notes on, obviously. Papers will be perforated and short-edge perfect bound against a black strip of stock.





_Invoice

I still need to work on this, this will be similar to the letterhead, when folded up in thirds, the top of the letter will still slightly show and will have the invoice title and date on.



_Invoice sleeve/Envelope

To be made. Sleeve to hold the invoice in and give more of a class, can easily be stamped and addressed to be sent off to clients.





////////////////////////////////////////////////



Brand & Identity

An illustration of how all planned products will look next to each other, including an embossed notebook and branded pencils/pens.








The next update will be progress in terms of print and seeing how things pan out in terms of production but I feel this shouldnt be too time consuming, it's just preparation and I have most things in place. Just need to work on an invoice layout and an envelope net for the invoice. My only worry is if I'll be able to laser cut an embossing plate and if I'll be able to foil, I hope I can on both accounts but thankfully both these things aren't 100% essential









ROWES - FInance and Insurance - BRIEF

I recently saw a brief for a competition online at logoarena.com basically from Rowes - a Financial and Insurance group based in the USA which wants a logo created. I don't see myself in terms of my future goals being a designer solely focused on logos, it's not something I enjoy and it's not something I feel particularly strong in - instead branding and layout of different material excites me more.

I decided to add a branding project to my portfolio so along with a logo I am going to create branding material for Rowes and focus more on the branding than on the logo.

The brief is pretty non-existant right now apart from simply saying what they want, so I've written a more focused brief taking into account what the client needs.



//////////////////////////////////////

Brief Title:

ROWES Group - Finance & Insurance


The Brief:

Produce a logo and branding material for Rowes, the well established and long-standing financial company based in the US. Create a unique and luxurious look taking into account the client, in turn the kinds of clients Rowes gets and the kind of aesthetic appeal they want to give off.


Background & Considerations

Rowes want to communicate:


#1 - They're a leader in the financial industry
#2 - Strength
#3 - Longevity & Luxury

Look into existing logos for rival brands and insurance group companies out there and how you can differentiate Rowes from them.

A consistent colour scheme and visual style throughout all branding material and logo.

Rowes is the family name of the company.


Values to communicate

  • Manly
  • Serious
  • Mature
  • Mixture between modern and classic


Target Market

Middle-class individuals, working professionals who want a reliable and well-established company to give them security and peace of mind in handling their financial affairs.



Deliverables

Logo design

Branding material including letterhead, notepads, folders and other material to really show application of the logo and the brand design across different materials and products.


Deadline

April 18th 2013


//////////////////////////////////////














The Dieline Awards:: Heinz Ketchup Presentation boards


Again, I was in charge of artworking and the adverts for billboards while Seb handled the copywriting and design direction.



The Dieline Awards: Collaboration with Seb: Heinz Ketchup


The Dieline Package Design Awards are a woldwide competition devoted exclusively to the art of consumer package design. The Dieline Package Design Awards were launched in 2009 in order to bring more awareness to the importance of well-designed packaging.

The competition is mainly aimed for professional packaging and industrial designers and well established brands but we though't we'd have a crack anyway. The brief is very open and simply asks to see innovative and well designed packaging design.

After some thought and debate me and Seb decided to give ourselves no more than two days - a quick turn around brief focused on redesigning Heinz Ketchup packaging.

We outlined what we liked about the recent Easy Squeeze bottle and what we didnt, and also what made Heinz packaging recognisable.





What we like
  • The squeeze element and pressure gauge when s
  • The ergonomic shape of the bottle
  • The idea of logo being upside down, prompting you to place the bottle lid-down, for less ketchup being stuck


What we don't like
  • Confusion with upside down logo, people still sometimes place bottle lid-side up, defeating the purpose
  • Ketchup getting stuck at the opposite end. Meaning ketchup wastage
  • Palming the bottle of the bottle when ketchup is running low



Recognisable features
  • Bottle shape
  • Heinz sticker
  • Heinz colour palette
  • Signature Heinz ketchup red









//////////////////////////////////////////////////////



Brief Title:

The Dieline Awards_Heinz Ketchup


The Brief:

Rebrand and redesign the Heinz Ketchup bottle. Building on previous developments to create a unique and innovative new solution, being careful not to alienate existing customers, but at the same time having an element of surprise and excitement.


Background & Considerations:

Existing Heinz adverts, be careful not to create too extreme and outlandish an advert unless you can justify it.

Research into colour palettes and general themes and specifications in terms of point size of existing adverts and packaging by Heinz


Mandatory Requirements

Research into existing opinions and perceptions of Heinz and their Ketchup packaging

Blogging and design development showing design decisions and process from early framework to the finalised artwork.


Deliverables

Boards/images sent and uploaded to The Dieline awards competition by the deadline

Interactive PDF of presentation boards uploaded and posted to design practice blog

Boards for project compiled with other live briefs as part of your Responsive Project Report


Deadline

01/04/2013

//////////////////////////////////////////////////////






___Concept

Our main concept after some discussuion is the idea is to literally give the bottle two lids, having two lids makes no sauce get stuck, it's not possible to place the bottle the 'wrong way' and there's no bottom, so sauce can't get stuck at the bottom. All sauce is accessible and apart from some possible issues such as alienation of existing customers through design - in terms of effectiveness and usability we can't think of any reason why it shouldn't exist.


The concept was Seb's who took charge of the concepts while I took more prominence when it came to artworking and throwing in a few suggestions in terms of the advertising and copywriting aspect. 

Our original idea was to call the bottle Heinz 360. Developing on the idea of turning the bottle round and using any way you want - the bottle would be symmetrical and makes sense any way you look at it, we decided on Heinz 69. The number 69 is horizontally symmetrical and is perfect for our 'no right way up' concept.





___Design Development & Process

We took this photo to edit and manipulate as we just don't have enough time to physically make a new bottle.






I straightened the sloped edges to make it easier and more logical to have two lides, two sloped edges meeting in the middle with two lids would look odd and unlike Heinz.






With two lides mirrored on top of each other.




The logo designed by Seb, the badge is literally mirrored so any way up it's read exactly the same, so you can place the bottle however you want.



The current Heinz sticker shape isn't horizontally symmetrical. So we changed it to be symmetrical but we were careful to not change the shape too much and keep the iconic curvature at the top.






Placing and embossing into the bottle.







Looking into existing Heinz adverts we were unhappy with the white background, it didn't make you feel hungry, it didn't have a richness about it. We went for red, a colour subconsciously related to food and richness, which links directly to the food product and taste we're advertising.


The lighting o nthe bottle is off and looks too dull and unprofessional and not slick enough.

After a lot of tweaking we got a lot closer to what we wanted, with this...





This is pretty much the most substantial portion of this brief so the next logical thing to present will be our presentation boards. Which will be in the next post